In 1929 Adrian Rollini sat down to pen what could be considered the earliest treatise on the bass saxophone for the Melody Maker Magazine. It was authored only a year after Rollini made the trip across the pond to play with the Savoy Ballroom band as lead by Fred Elizalde. This would be a short run for Rollini as he left the band in 1928 and returned to the US. Throughout his career Rollini defined and refined the roll for the bass saxophone in the hot jazz band. Of course he wasn’t the only person playing the bass saxophone but he was widely known from his time with Bix Biederbeck.
In the articles linked below Rollini touches on the major parts of bass saxophone ownership and paying. In fact much of what he describes still holds true today nearly 86 years later.
Click Adrian’s image to download the complete Articles
Selmer S-80 Baritone vs. Selmer S-80 Bass Mouthpiece
When I purchased my bass it wasn’t in playable shape. The octave mechanism was a bit tweaked and needed some work. After a some time with the horn my horn tech excitedly called to tell me the horn was playing and sounds like a champ. He played it for me with a Selmer S-80 baritone mouthpiece. I though it sounded okay but something was missing. My tech hadn’t noticed the monster vintage bass mouthpiece hiding deftly in the corner of the case so he play tested with what he had on hand. When I played it with my Baritone S-80 I couldn’t get the response to work and the intonation was all over the map. Following that I defaulted to the vintage piece in the case and notice that a few notes seemed wonky.
On a whim, I bought a Selmer Bass Mouthpiece off of ebay brand new in the box. On a casual examination it looked exactly like the the Baritone S-80 except for for the engraving “Saxo Basse”on the table. On closer inspection the difference was huge. After a couple hours with the bass piece I don’t think I’ll be using the vintage piece ever again.
First, the similarities:
- Exterior dimensions are identical
- Baritone ligatures fit this perfectly.
- Tip opening charts are identical (so i’m told)
- The chamber is much larger on the bass
- Baritone has a square window into the chamber
- Bass has slightly scooped sidewalls vs straight baritone walls
- Bass has a slightly wider tip width for bass reeds though baritone work as well
- The bass has a larger back bore (shank opening)
I am on the search for a smaller tip opening S-80 Bass piece as I think this tip is a bit to large for me. Otherwise the piece is fantastic.